Have you noticed how easily modern classical fits in with other stuff on Webjay, unlike classic classical? It gives me hope that getting away from traditional distribution will allow this music to finally connect with its natural audience.

Yeah that's amazing, and what made me think of that college radio collage comment. One big problem (and I'm planning an article on it) is that once the flood gates to the bedroom composer are open, how will the real world critical process function in promoting the cream to the top? Today's print critics seem totally disinterested in the online new music scene.